81.

82.

83.

84.

85.

In Leonardo da Vinci's painting “The Last Supper” which disciple is depicted as being in a
state of shock and protest upon hearing Jesus’ announcement that one of them would betray
him?

(^) Peter (B) John
(C) Thomas (D) Judas

What distinguishes Gustave Courbet’s representation of the two men near Maisieres in “The
Stonebreakers” from conventional bourgeois interpretations?

(ಹ) Courbet portrays their situation as a personal tragedy
(B) The painting emphasizes the individual dignity of labor
(C) The artist refrains from imposing his own psychology on the subjects

(D) Courbet focuses on the emotional experiences of the laboring men

What artistic techniques did Jean-Francois Millet use in ‘The Gleaners” to convey the social
commentary of the artwork?

(ಹ) The use of bright colors to emphasize the joy of the laborers
(B) Employing a blurry image of the landlord’s foreman to highlight their importance

(C) Positioning the gleaners in the background to signify their remoteness from the
upper class

(D) Utilizing light, shadow, and composition to emphasize the contrast between social
classes

Artemisia Gentileschi an accomplished Baroque painter, gained recognition for her powerful
and dramatic depictions of biblical and mythological subjects. Which characteristic of her
work distinguishes her from many of her contemporaries?

(ಹ) Her use of bright and cheerful color palettes
(B)_ Her preference for abstract and non-representational compositions
(C) Her emphasis on dynamic, emotionally charged scenes

(D) Her focus solely on portraiture and still-life subjects

How does the composition by Pieter Bruegel the Elder in the artwork “The Return of the
Hunters” contribute to its visual depth and engagement?

(4) The painting lacks a clear compositional structure, emphasizing chaos
(B) The composition centers on a single focal point to guide the viewer's gaze

(C) The painting features a linear perspective with a single vanishing point, creating
depth

(D) The composition is symmetrical, balancing the elements on both sides of the
painting

15 174/2023
[P.T.0.]